elizabeth geyer :: bio
 

 

'It is an extraordinary tightrope to be walking - that of creating music for the world that manages to remain both unique and deeply rooted in integrity, rather than commercial gain; yet that is exactly what Elizabeth Geyer (formerly Elizabeth Carthew) has been doing since writing her first song just a few short years ago.


Describing songwriting for the first time as 'finally coming home,' it was nonetheless a remarkable journey in getting there, for prior to it she led not just one but two successful careers, starting out as a commercial trumpetplayer following a degree in jazz performance at Adelaide University. For many years Elizabeth performed and recorded, often in the solo chair, at jazz festivals around Australia, touring the USA and performing at Monterey Jazz Festival in America, also supporting a legion of artists on various occasions including James Morrison, Marcia Hines, Harry Secombe, Bobby Shew, Gene Pitney and USA's Barbara Morrison.

 

 

 

But in 2000, Elizabeth's direction changed when a debut album of jazz standards led to her quiet emergence as an artist and singer in her own right. Media reviews, community and ABC radio support followed, jazz icon Don Burrows declaring it 'very, very special... a uniqueness you want to cling to... the best record I have heard in a long time.'


Elizabeth continued performing extensively, as a jazz singer now in addition to trumpetplayer, including a three year stint as feature vocalist and trumpet soloist with John Morrison's Swing City, performing at the opening of Sydney Olympic Games 2000 (with James Morrison), guesting in the Don Burrows Quintet, and as feature vocalist for the 'Legends in Jazz' Concert in the Domain and for the Duke of Edinburgh Awards.

 

"It was an amazing opportunity, playing and singing jazz standards for a living, travelling and working with so many talented artists, but for some reason I knew there was still something else out there .. writing my first song felt so 'right' it was actually terrifying. I knew I had stumbled upon an enormous professional uproot and an uncertain future, but the passion and peace that surrounded it were so strong I deeply trusted it."

 


It was a massive leap of faith that soon paid off however, with album 'The Dream' - a collaboration with multi-award winning songwriter/instrumentalist Tony King. The Dream was recognised for it's timelessness and unique, fragile beauty; the first true expression to highlight truly just how unique and brave she is as an artist, yet surprisingly accessible.
Instead of the expected pattern of sales falling after the initial buzz, 'The Dream' has instead quietly continued to work in reverse, warranting a re-release and relaunch of both albums for 2008.


'I want to sing and create music that sometimes caresses and other times challenges but always bypasses the outside to the place inside each of us where we are basically vulnerable, hopeful children. Music can transport us instantly, for example, to those heady vulnerable feelings of 'first love' in a way no words can.'

 

 

In 2005 and 2006 Elizabeth led a national tour with her band comprising some of the finest musicians in the country, Jonathan Zwartz (bass), Bill Risby (piano) and Hamish Stuart (drums). This was bolstered with ongoing community and national ABC radio airplay, winning a fan in ABC's James Valentine and a Top 5 placing in the Australian Songwriting Contest with the song 'You Carry Me Home.'

 

As someone who believes that the greatest danger for an artist - particularly a songwriter - is to get too comfortable, Elizabeth recently returned from a lengthy stay in America and Europe, inspired by adventure, music opportunities, and fuel for songwriting. She performed more than thirty times at venues including Galli's Bar, Karma Coffee House, USA Hostel Hollywood and Highland Grounds in Los Angeles, Cafe Tirebouchon in Paris, and New York venues including Yippie Museum, Googies Lounge over The Living Room, Helen's, Cucina Stagionale with residencies and return performances at Caffe Vivaldi and legendary songwriter venue The Bitter End.

 



Elizabeth is currently promoting her new album 'On Patrol With The Jazz Police' before travelling again. It may have taken a great journey before ' finally coming home' but this is a brave and talented artist who feels like she has only just begun to explore the potential of creating music for the world to heal, challenge, uplift and reassure us that we are not alone.


David Philip
2008